Sunday, May 20, 2012

worlds within worlds

roland flexner

sn10, no date, sumi ink on paper


sn71, no date, sumi ink on paper



hiroshi sugimoto

lightning fields, 2009, gelatin silver print


lightning fields, 2009, gelatin silver print


Tuesday, May 15, 2012

on paper

john rosewall

queen catherine, 2012, archival pigment print



the ox-bow incident, 2012, archival pigment print



antoni tapies

saint gall, 1962, lithograph


transpuar, n.d., etching and aquatint



Tuesday, May 8, 2012

the brother from another planet

edward mapplethorpe

variation no. 10, 2011, silver gelatin print



variation no. 9, 2011, silver gelatin print


more at:  http://edwardmapplethorpe.com/

Thursday, April 26, 2012

and now for a word from our sponsors

john rosewall

untitled, 2012, archival pigment print



vesuvius, 2012, archival pigment print


for more, please visit www.johnrosewall.com

Sunday, April 15, 2012

A Glorious Mess

tara cronin

i would rather run together, 2011, medium not specified



soft as feathers, 2011, medium not specified




elizabeth neel

inglorious, 2006, oil on canvas




rivals, 2008, oil on canvas


Friday, March 23, 2012

still

michelle kloehn

untitled, 2009, tintype


untitled, 2009, tintype



lesley vance

untitled (48), 2010, oil on linen


untitled (51), 2011, oil on linen


Tuesday, March 6, 2012

way out west

I'm diverging from my usual subject matter this week to praise one of my favorite artists, Kenneth Price, who died just over a week ago at his home in Taos. In the small ceramic sculptures that Price has been creating for the last several years, one notes above all the play between sensuous, playful, suggestive forms and a mottled, sickly surface. Each is a multivalent reference to nature and the body, or as Sarah Lehrer-Graiwer put it recently on the Artforum website, "they are snot, slug, serpent, squid, scrotum, and surf." They are also supreme examples of the transcendent possibilities of the crafted object. Here is what Price said in a recent issue of Artworks magazine:

"My primary satisfaction comes from making the work, and my idea of success is getting it to look right. So if it looks right, if it has some kind of presence or energy, or comes alive, or has magic--those are all visual things, and it's very hard to translate those into words."

There is a Price show on now at Kayne Griffin Corcoran in Santa Monica, and a career retrospective scheduled for LACMA in the fall.


kenneth price

inez, 2010, fired and painted clay



way out west, 2010, fired and painted clay



cocodo, 2008, acrylic on fired ceramic